The Cure and Again and Again
| "A Wood" | ||||
|---|---|---|---|---|
 | ||||
| Single by The Cure | ||||
| from the album Seventeen Seconds | ||||
| B-side | "Some other Journey by Train" | |||
| Released | March 28, 1980 | |||
| Recorded | 1979 | |||
| Genre | Gothic rock | |||
| Length | 7" – iii:54 12" and album version – 5:55 Standing on a Beach version – four:53 | |||
| Characterization | Fiction | |||
| Songwriter(s) | Simon Gallup, Robert Smith, Matthieu Hartley, Lol Tolhurst | |||
| Producer(s) | Mike Hedges, Robert Smith | |||
| The Cure singles chronology | ||||
| ||||
| Music videos | ||||
| "A Forest" on YouTube | ||||
| "A Forest" (TopPop, 1980) on YouTube | ||||
"A Forest" is a song by the English rock band The Cure. Co-produced past Mike Hedges and the ring's Robert Smith, information technology was released as a single from the ring's 2nd album Seventeen Seconds on 28 March 1980. It was their debut entry on the U.k. Singles Chart, reaching number 31. The accompanying music video was first shown on BBC's Elevation of the Pops programme on 24 April 1980.
Recorded and mixed over seven days, forth with the rest of the songs from the album, "A Forest" is representative of The Cure'southward 1980s gothic stone phase. The song has featured on the ring'due south gear up lists for many years. Several versions have appeared on concert albums, and it was re-recorded, then subsequently remixed and released every bit a unmarried from Mixed Up in 1990.
Groundwork and recording [edit]
Mike Hedges co-produced the anthology Seventeen Seconds as well every bit "A Forest" with The Cure's Robert Smith. Hedges had kickoff worked with the band on the track "Killing an Arab." Interviewed in 2004, he did not recall whatever demos existing for Seventeen Seconds; the band generally played the track in the studio before laying downward a backing track to which overdubs were added.[i] At the time of the recording of the album, bass guitarist Simon Gallup and keyboardist Matthieu Hartley had been added to the band's lineup. Gallup had replaced Michael Dempsey, who had departed to bring together The Associates.[1] Gallup and Hartley joined remaining Cure members Smith (vocals) and Lol Tolhurst (drums) in tardily 1979 during the group's Future Pastimes tour, on which "A Forest" was 1 of the new songs added to their set list.[two]
Due to monetary restraints, Seventeen Seconds was recorded and mixed in seven days on a budget of between £2,000 and £3,000, which resulted in the band working 16 or 17 hours a twenty-four hour period to complete the album. Hedges and Robert Smith knew the song would accept more work to consummate than other songs on the anthology, and would require more than overdubs. The vocal was one of the last tracks recorded; the backing tracks were recorded outset, followed by touch-ups to the private parts, then Smith'southward vocals.[1] Fiction Records owner Chris Parry told Smith that the song had the potential to be a striking if they made it sound "radio-friendly", but Smith refused, stating the way the rail sounded was the sound he envisioned in his head.[3] Work on mixing "A Wood" took up much of the final day of sessions for the anthology.[1]
Composition and lyric [edit]
"A Woods" and its parent album Seventeen Seconds are representative of The Cure's gothic rock phase in the tardily 1970s and 1980s.[1] Cure biographer Jeff Apter refers to "A Forest" equally "the definitive early Cure mood piece" and argues the vocal is the centrepiece of the album. Smith's intention with "A Forest" was to brand a song that was "really atmospheric". He has stated it was a pivotal recording for the grouping, representing "the archetypal Cure sound".[4]
"A Wood" is performed in the key A minor.[5] Initially only the synth, guitar and drums are heard, followed by the introduction of the bass guitar and a second guitar part.[vi] The vocal initially follows an Am–C–F–Dm progression. Later on the track, its span contains a B–C–F#yard–C–B–C sequence, which ends with a chromatic move to the F chord before returning to Am. Following the echoing repetition of the word "again", a guitar solo appears which avoids string bends and moving in a pentatonic way. The single version of the song fades out at around 4 minutes, while on the longer (album) version the instruments get out one by ane, concluding with the audio of the bass guitar at iv.46".[seven] The audio of Smith's guitar was a difference from that prevalent in the 1970s.[5] Mike Hedges favored the use of flanging at the time, and he estimated that at that place were seven flanger devices used on "A Forest."[1] Rikki Rooksby said that the dull phase effect heard on the guitar in "A Forest" "almost became a Smith trademark for a while".[five] Simon Gallup said his playing on the track was intended to be reminiscent of the bass work in the music of The Stranglers, whose bassist Jean-Jacques Burnel was a major influence on him.[viii]
Smith has given varying explanations of his lyric for "A Forest." He has said the lyric was based upon a dream he had equally a kid where he was lost in the woods unable to escape, merely later denied information technology and stated, "It'southward merely about a forest."[4]
Release and promotion [edit]
"A Forest" was released as a single on 5 Apr 1980. Its B-side was "Another Journey by Train," an instrumental remake of The Cure's "Jumping Someone Else's Railroad train." The single received a mixed critical reception, though commercially its sales were an improvement for the ring.[9] In early 1980, it spent eight weeks in the United kingdom Singles Chart, peaking at number 31 on 12 April.[10] It was the highest they had placed on the chart past that point in their career.[11] In the U.s.a., the song reached number 47 on the Billboard Trip the light fantastic toe Music/Order Play Singles chart.[12]
The version included on 1986 compilation Standing on a Beach/Staring at the Bounding main is neither the album version (which was too on the 12" unmarried) nor the seven" single edit (which removes a few bars between verses and fades out part-way through the guitar solo ending).[13]
Andy Anderson, who later became The Cure's drummer, said "A Forest" was the first song he heard by the band. He was taken by both the music and vocals, and was especially drawn to Smith's guitar work and the keyboard melody, which he described as "haunting". He described the spare and unproblematic four/iv drum pattern equally straightforward: "all that is needed".[14]
Legacy [edit]
"A Woods" has get the song virtually performed by the Cure, with over 1,000 live appearances.[4] A alive version of "A Woods" appeared on a four-song edition of The Hanging Garden released in July 1982.[15] Information technology was performed with a "rough, punk-edged" sound on the 1984 live album Concert: The Cure Live.[16] A operation appears on the live video The Cure in Orange, highly regarded by Allmusic reviewer Ned Raggett,[17] while other live versions of the vocal appear on the concert film Show, and on disc one of the live anthology Bestival Live 2011.[eighteen]
In 1990, the track was re-recorded (as the original principal had been lost) and remixed by Marker Saunders for The Cure's Mixed Upwards anthology, which presented new remixes of classic Cure tracks.[19] The "Tree mix" version of "A Wood" was released equally a single on six December 1990,[20] a few weeks after the album release on 20 November.[21] The vocal was redone for the 2d time on the Join the Dots box fix, this time remixed by Mark Plati and featuring Earl Slick on guitar. This version was described as "awful" and "instantly dated" by reviewer Chris Ott.[22] An acoustic version was recorded and released on the bonus disc that came with some copies of the 2001 Greatest Hits CD. Robert Smith supplied vocals for a Blank & Jones cover version of the song, which appeared on their 2004 album Monument.[23]
Music video [edit]
The promotional video for "A Forest" was the showtime that featured the band visually. Information technology was created by David Hiller, who mixed footage from the band's 24 April 1980 debut appearance on BBC TV's Top of the Pops programme with a woods montage. Smith said the group "came beyond looking very morose and disinterested [sic]" in the video because that is how they felt at the time;[24] he "hated" Top of the Pops as he was "really anti-pop" during this period. He recalled he had been in pain at the time of the shoot as he had broken his thumb trying to change a tyre a few days previously.[25] Smith's bandaged left thumb tin can exist seen in the video.
Track list [edit]
7" – Fiction/Polydor (UK) (1980)
- "A Forest" – three:54
- "Another Journey past Railroad train" – three:03
12" – Fiction/Polydor (Britain) (1980)
- "A Forest" – 5:55
- "Some other Journey past Railroad train" – 3:00
CD/12" – Fiction (UK) (1990)
- "A Wood" (Tree Mix) – 6:55
- "A Forest" (Original) – v:56
- "Inbetween Days" (Shiver Mix) – 6:24
Personnel [edit]
- Robert Smith – vocals, guitar
- Simon Gallup – bass
- Matthieu Hartley – keyboards
- Lol Tolhurst – drums
with:
- Sergey Nazmov - drum auto
Chart positions [edit]
| Chart | Meridian position |
|---|---|
| Belgium Singles Chart[26] | 20 |
| Dutch Pinnacle 100[27] | 26 |
| New Zealand Singles Chart[28] | 38 |
| UK Singles Chart[10] | 31 |
| US Billboard Dance Music/Club Play Singles[12] | 47 |
References [edit]
- Apter, Jeff. Never Enough: The Story of The Cure. Omnibus Press, 2005. ISBN one-84449-827-1
- Rooksby, Rikki. Inside Classic Rock Tracks. Backbeat, 2001. ISBN 0-87930-654-8
Notes [edit]
- ^ a b c d e f Buskin, Richard (December 2004). "Classic Tracks: The Cure 'A Forest'". soundonsound.com . Retrieved 18 October 2012.
- ^ Apter, p. 109–112
- ^ Apter, p. 117
- ^ a b c Apter, p. 116
- ^ a b c Rooksby, p. 98
- ^ Rooksby (p. 98) claims a drum automobile is heard on the song
- ^ Rooksby, p. 98–99
- ^ Strickland, Britt. Simon Gallup: A Cure for the Common Bass, Bass Histrion, October 2004.
- ^ Apter, p. 119
- ^ a b Cure. OfficialCharts.com. Retrieved 27 Jan 2013.
- ^ Apter, p. 122
- ^ a b The Cure – Awards. Allmusic.com. Retrieved 27 January 2013.
- ^ "The Cure – Continuing on a Beach – The Singles". discogs.com. Retrieved thirteen October 2015.
- ^ "Interview Andy Anderson". Speak My Language. A Pink Dream. Retrieved 4 October 2011.
- ^ Apter, p. 172–173
- ^ Thompson, Dave. "Concert: The Cure Live (review)". Allmusic.com. Retrieved 23 January 2013.
- ^ Raggett, Ned. "In Orange (review)". Allmusic.com. Retrieved 26 Jan 2013.
- ^ "The Cure to release Bestival headline set up as a live album". IPC Media. 2011. Retrieved 27 Jan 2013.
- ^ Apter, p. 252
- ^ "A Wood [Tree Mix]". The Cure Official Website. Geffen Records. Retrieved 24 January 2013.
- ^ "Mixed Up". The Cure Official Website. Geffen Records. Archived from the original on 2 February 2013. Retrieved 24 Jan 2013.
- ^ Ott, Chris (29 Feb 2004). "The Cure: Bring together the Dots: B-Sides and Rarities 1978–2001: The Fiction Years". Pitchfork Media. Archived from the original on 8 November 2012. Retrieved 7 February 2013.
- ^ Anderson, Rick. "Monument (review)". Allmusic.com. Retrieved two March 2013.
- ^ Apter, p. 121–122
- ^ "Tribute - The Cure: Smith: in his own words". Music Week (46): 27. 20 November 2004. ISSN 0265-1548.
- ^ "The Cure — A Forest (Nummer)". Ultratop.be . Retrieved 6 February 2013.
- ^ "The Cure — A Forest (Nummer)". DutchCharts.nl . Retrieved 6 Feb 2013.
- ^ "The Cure — A Forest (Song)". charts.nz . Retrieved vi February 2013.
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Source: https://en.wikipedia.org/wiki/A_Forest
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